Category: Monotypes
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How and Why to Do Black and White in Monotypes
“Say, it’s only a paper moon Sailing over a cardboard sea” -A Paper Moon, Billy Rose/ E.Y.Harburg/Harold Arlen Color is an integral component of all art. We regularly talk of “color” when describing sounds in music, for example. But in talking color in art, we often forget the two colors that are not considered colors…
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Fall News
Fall Doings: I’ve got a lot going on this fall, after a quiet summer. I hope to see you for one of these events. Workshops: I’ve still got a couple coming up this fall. The next session of Monotypes For Advanced Beginners begins October 25 and runs until just before Thanksgiving. This is a follow-up…
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A Brief Essay on How and Why to Make Monotypes
Monotypes, though simple, are very process-oriented and often defeat results-oriented art making. Change is built in to the creative process, and often, until change is addressed, satisfying prints don’t happen. We’ve let the word “print” become degraded and we often reflexively see them as a way of producing imitation paintings. The medium especially in recent…
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Studio Update
It’s hard to pick up the thread in the studio after an absence. I’ve been making regular time there since January, but Fall and Summer were mostly a loss as I worked to pay off debt. Glad to be making progress on that, but producing work is the only way to increase sales, which pay…
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Studio Update
I’ve been on the Organizing Committee for Month of Printmaking Colorado, a two months long festival of exhibitions, demonstrations, workshops and lectures about printmaking. It’s a Front Range-wide event that extends from Pueblo, Colorado to Casper, Wyoming. So needless to say, as it kicked off this week, it’s been eating my life. I’ve really…
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A Good Used Bookstore, For the Love of God
Size does matter. Mine is a bit small by most people’s standards I’m sure, but honestly, I’d rather it be a bit small than too large. Because really, it’s what you do with it. And mine does a lot. I don’t often brag about it because I don’t want to attract a crowd, but it’s…
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Hue and Cry
It’s a rainy day here, though it can’t really be called dreary. After a fairly spectacular Indian Summer, the trees are in full color, and the grass is still green. The colors tend to play off the silvery sky in surprising ways. I’ve settled into a fall routine centered around my workshop. I’ve tried something…
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Falling Into Old Habits
I’m slowly ( once a week right now) getting going in the studio again as other commitments drop away. Hello, fall! I’m re-taking up watercolor, too, which has a similar subtractive composition to printmaking. In simpler terms, the whites- and thus the full range of values- disappears the more paint or ink you add. So…
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Workshops Updated
A quick note to call your attention to two additional free Denver Public Library Monotype Workshops that have been confirmed: The first is at Hadley Branch, 1890 S. Grove, at 5 PM this Monday, April 20. The second is at Hampden, 9755 E. Girard Ave. from 6-7:30. It’s on Tuesday, May 5. The workshops are…
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Everything’s a Work in Progress
What I have worked on this winter is a small series of work intended to develop organically from sketchbook ideas on up through experiments in different sized paper and eventually to a large, significant, and fully realized work. Especially as I transition to new methods of working such as stencilling, etc, I’ve tended to have…
