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Art Students League

A Green Manifesto: “See” Change

“Man With Torch” 30×42″, Monotype. Will be shown at The Art Students League’s Carson Gallery, “Modern Man and the Landscape”, May 17-June 28

In Spring the light moves quickly. Spring is a good time for seeing. Slapped in the face by a fresh breeze, I realize that I have been looking at things through windows and I can now step out into the air to see them as they really are. But Spring moves at the speed of light. One day we look out and see a few diaphanous green leaflets, another, we are driving to work and see through the windshield a scrim of fully leafed trees. Spring reminds you that you are present; a green manifesto.

Sight is the most mercurial of senses. Smells linger, cumin and cilantro just beneath the radar until we realize we are hungry, songs become earworms for days. But look away for a second from a glade of trees and everything has changed. The light has moved- it has parsecs to go before we sleep. Even in memory, sight is ephemeral. We struggle to recall the face or breasts or fingers of a past lover.

The top picture, though more autumnal than vernal, is one of my favorites because it shows a man poised very incrementally between past and future, memory and hope. He has a torch, which suggests bridges being burned, but also light shining (it also, some have suggested, indicates environmental disaster, a not incompatible theme). Environment, is after all, where we are now. And a job? A denial of the present experience in favor of an idealized future. Necessary, yes- but Spring reminds that the time is now, and the word is light.



An artist gets placed in charge of freezing light and time, a trickything to do. An artwork is always about a moment, as Mark Tansey’s rather subversively iconic image of plein air painters documenting a shuttle launch tells us. The trick is to slow things down, get in the present, making art in real time, somewhere in the rushing stream of photons. Not an easy thing. So I guess I’ll get out and take a walk.

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Riding on the Metro

Having to work means less time for social media. Fortunately, there’s public transportation for catching up. I can check email, Twitter and Facebook on the way to the University of Denver.
I can also blog, thanks to Blogger’s iPhone app. I have a larger post in “drafts”, but chose to post this instead, because it’s hard to concentrate on revisions when the Foothills are glowing with a new coat of snow on a mild Spring day.

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You Show Me Yours…

My class at Art Students League did not fill, so it is cancelled. It’s disappointing, and also leaves me with less income during a slow time of year. Fortunately, I have temp work at the University of Denver Bookstore to tide me over. I’ve been helping out during their beginning-of-quarter rushes for about three years now, and it’s a fun place to work. Lots of great people, many of whom got into it (mistakenly, it turns out) from a love of books and culture. 

And I do see a lot of interesting books there, though during a busy time like this, only in passing. My basic strategy, being poor and of limited bookshelf space, is to note the books that interest me, then type them into the Denver Public Library search when I get home. Stickin’ it to the man…

I get into a lot of great conversations at work. Books, movies, stickin’ it to the man; a definite step above the typical workplace chat fare from my old retail job: weather, and Broncos. Then more Broncos and back to the weather. Scintillating stuff. 

One interesting (and funny) fellow at work is Dave. He has combined a love of photographing sleep-deprived retail workers and a dry humor in a blog that winds up telling the tale of what happens to a bunch of interesting characters in a small bookstore as it is being taken over by a large mega-corporation. I’m in it quite a bit. Not because I’m a major player, but because I don’t run and hide when he pulls out his camera. 

I generally play along, contributing a bunch of nonsensical commentary, not to mention my sleep-deprived mug, as he snaps. I think this amply explains why Dave Hoyt’s Blog is not exactly redlining the ol’ Google Analytics, just as it does with mine. 

Here’s an iPhone picture of Dave, trying to figure out how to snap my photo without ruining his nice camera. It isn’t a very nice pic, but I haven’t been doing this as long as Dave. Cheese, Dave!

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Fear of a Mac Planet

Fear of a Mac Planet


An artist/instructor where I teach responded to my casual suggestion that faculty could communicate and resolve various routine issues among themselves by using a dedicated Facebook group with: “I’M NOT GOING ON FACEBOOK; I DON’T HAVE TIME FOR FACEBOOK!” So much for the social media revolution. 

Perhaps she’s one of the few who have realized the Romantic Dream: making enough sales at a sufficient price level to not need to worry about marketing her work. If so, she should tone down the vehemence of her reaction- it makes her sound like a raving technophobe. 

The rest of us will be making time for social media, thank you. One thing about leaving your day job, you DO have more time, but money, not so much. So social media, which is mostly free, becomes pretty huge. 

It is time consuming to do right, meaning: get a conversation going. Facebook and blogs require promotion. Twitter is reviled, even by Facebook and blogging afficianados, but if you devote regular time, it is easier to get its mostly younger, more savvy adherents talking, thus getting yourself into conversations you just can’t enter in “real” life, such as at art openings. Or even on Facebook or the blogosphere. I suspect that some who put down Twitter and other social media are just not that comfortable with the idea of meeting new people online. 

I’ve had some success devoting Monday mornings and Friday afternoons to my various media accounts, with random tweets and posts thrown in when I have time. I’m also experimenting with using the Light Rail more for commuting, thus converting that time to productivity through social media and blogging apps on my phone.  I try to apply that to blogging, but writing is not a spontaneous activity for me, so it’s easy to postpone. It’s clear “I don’t have time for blogging,” but I would never admit that I’m not trying to make time. Social media is not going away, no matter how much it scares you.

The picture is a “mash-up” of sorts, in which I cut up old failed prints and reassembled with some new ink on top. It’s designed to have a number of discrete textures and visual timbres while conforming to a new, somewhat abstract, whole. What is your reaction?

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Going Mobile

I just downloaded the Blogger app and wanted to see if I can post from my phone.

I’ve been spending a lot of time on the train lately, and the ability to update my Twitter accounts and check email has turned wasted (and annoying) time in my car into fairly productive time on the way to my temp job at Denver University.

I don’t get quite as much NPR listening this way, though there’s actually an app for that, too.

If you’re wondering, there is a WordPress app as well. I’ve already downloaded it, though my WordPress website is stalled until next week when the temp job ends. When I import the Blogger Squishtoid into WordPress, I’ll try it out and compare the two. Stay tuned.

I’ll also be blogging from the road when I go back to my Upstate NY hometown in Mid-February.

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“Guns don’t kill people; people kill people”, the 2nd Amendment zombies blandly assert. Case closed. Argument over.

This nonsensical nursery rhyme was never menat to be parsed for its truth or falsity, in fact its central statement, that people are really their own only predators, is an argument for sensible regulation.  it was meant to stop honest discussion. Dead in its tracks, a rhetorical full metal jacket .

I’d like to examine this infuriatingly tautological, Joseph Goebbels-like banality in closer detail.

Most people, weary of the shouting, express a desire for compromise and an end to the polarization, but the NRA goons depend on this. Obama, trying to maintain a fragile coalition that has afterall, solved the Health care crisis, and may soon bring sense to the tax code, has made the political calculation that preservation of this coalition is more important than a long drawn out battle over gun control.

But there are many small things that can be done that will actually chip away at the fear mongers, and slow the hamster whheel.

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The light is stretched and thin after a couple days of clouds and a dusting of snow. It’s warmed up, so I took a walk down by the lake this morning to get a little air. Then I sat down to start the site, after a couple of days of reading and researching.

“Return” Monotype, 22×30″, 2012.
The domain name and hosting were easy. I chose DreamHost because Internet For Artists recommended it, and because they handle domain name and hosting account in one spot. They donate some of their proceeds to Creative Capital.org, which puts on the IFA seminars. They do charge for one year up front, but it’s inexpensive. My domain name will be JoeHigginsMonotypes.com.
I’m on to WordPress now. I’m working a temp job next week (to pay for the hosting, nyuk), so I’m hoping the software is pretty easy and fun to use, as this week is the last I’ll be able to sit in front of the computer for long stretches. 
I entered the picture above in a regional printmaking exhibition in November. I’ll find out if it was accepted this week as well.

 
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This image is from my summer 1-man show at Zip 37 Gallery. It’s pastoral, mostly, a bit of Eyvind Earle creeping in I guess. But it contains a more subliminal component, and I can never convince myself that it’s strong enough for people to notice. Thoughts?

A reminder: Tuesday, December 4, is Colorado Gives Day. Any 501c3 type charity is eligible for this (all proceeds go to the charity), but consider the Art Students League of Denver if you haven’t decided on a recipient:

*In these times of reduced educational funding, ASLD teaches critical thinking skills to children.

*ASLD employs artists and other creatives, thus helping Denver’s creative economy, a real asset to companies looking to relocate.

*ASLD provides community in an inner city neighborhood, and is preserving a beautiful Richardsonian 19th C. Building.

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Preparing for the Zombie Apocalypse


Oh look! I have a blog.


And a fine blog it is, too, though a bit errrm lifeless. But now, just in time for Holiday surfing… Zombie Blog lives! BwaHaHa.

Actually- and like any dead blogger worth his salt, I’m quoting Zombie Shakespeare, now- I come here not to raise Squishtoid, but to bury it. Though not for good. In fact as the blog-less weeks rolled by, I  wondered whether my approach to Squishtoid blog needed a re-think. Then I took an Internet Marketing for Artists seminar from the fine folks at Creative Capital, a very informative weekend that made me certain of it. 

What the fellow artists teaching the IFA seminar convinced me of was that I needed a website. One with (cue the scary soundtrack) …a blog! So, and this will surprise no one who knows my penchant for over-complicating things, the reason I’ve ignored my blog is, I want to launch a website. 

To those more tech-savvy than I, this must undoubtedly seem like that moment when the heroine (me, I guess) runs headlong from her first frightening encounter with the first zombie ( blog, duh) and straight to the front door of the zombie hideout! She opens the door, and turning to make sure she’s lost the zombie, actually BACKS into the room ( cue the screechy, warning buzzer-like portion of the soundtrack). Well, I think you get the idea. Talk about beating a (un) dead horse. 

Long story short, after a very busy Fall of shows and teaching workshops, I’m starting a website. 

The busy, working artists who presented the IFA seminar made a very good case for using Word Press, which is summarized briefly here. I don’t know how long it will take, but I’ll probably import this blog (yes, it can be done, I checked) and go live with the basic elements as soon as I can. I’ll add some of the more complex elements as the long dark winter goes on, and hope to be fully functional by Spring.

I’m looking to have the basics -blog, profile, portfolio, and news/events; plus more complex features such as a shopping cart and embedded You Tube channel for printmaking videos. I’ll keep you updated on the whole horror show here. They tell me any idiot can do it, though I’m definitely not just any idiot. Heh.

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I meant to do that…

“All of my friends were there…
Not just my friends,
But their best friends, too!
All of my friends were there,
Too stand, and stare”
-The Kinks, “All of My Friends Were There”

There’s a fine line between a dream and a nightmare, isn’t there? In a dream, you are naked, and with a beautiful person. In a nightmare, it’s the same only you are the only one naked.

Nothing is more nerve-wracking to me than preparing for a demo. A demonstration neatly combines one’s most insidious neuroses. Fear of public speaking. Fear of beginning a project. Fear of ending a project. Fear of humiliation and failure. A demo is like a naked dream, only with ink (“Out, damned spot”), and a 5,000 foot/pound per square inch roller ( “Life is what happens to you, while you’re busy planning other things”) standing between you and success. And ironically, the traditional advice to calm nerves when speaking in public is to imagine one’s audience naked. Now everyone’s naked. Is this a demo, or a revival of “Hair”?
I’m inviting everyone!
On Feb. 11th, from 1-3 Pm, in the Art Students League’s beautiful, bright print room I’m doing a demo of monotype that will give to people a quick glimpse of the monotype process, and my approach to it. I don’t know what I’ll wear, but I don’t think nothing at all will cut it. Still, channeling sheer terror is what makes a demo fun. I used to do improv comedy, and though I always had some stage fright, I did enjoy the interplay with the crowd. Which actually sort of hinged on the human truth that even failing miserably is entertaining to someone.
One day while showing one of my workshops how to run the press, I noticed that the pressure was too tight. I very carefully removed the printing plate with its inked image and precisely placed paper, then adjusted the pressure a bit and relaid the slip sheet and press blankets. When I began to roll the press again, it didn’t feel right at all.
” Gee, now it feels way too light,” I announced in a puzzled voice.
Silence. And then:
“Shouldn’t the plate be in there?”
Why, yes. Yes, it should. My head swiveling wildly I spied the printing plate, still safe on the table across from the press, where I’d carefully placed it.
“you were just testing us, weren’t you”? some wag jumped in, to general hoots.
“Why, yes. Yes, I was.”
Every class must have its clown. And every demo must have its demonstrator. At mine, I will try to remember to put the plate on the press bed before rolling it through. And to wear clothes.
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